Life[ edit ] Early life and education[ edit ] Betjeman was born "John Betjemann". He was the son of a prosperous silverware maker of Dutch descent. Inthe Betjemanns moved half a mile north to more opulent Highgate. From West Hill they lived in the reflected glory of the Burdett-Coutts estate:
Get Full Essay Get access to this section to get all help you need with your essay and educational issues. He is a master of rhythm and rhyme — sadly his poetry contains little else.
How far do you agree? Betjeman is a crafts master, rhythm and rhyme are his forte, but his strengths do not cease here. He uses rhyme and rhythm to strengthen his message, but his poetry also contains a creative collaboration of punctuation, imagery techniques and juxtaposition throughout his collections.
The poetry may be simple, but this makes the message clear so a wide range of audiences has the ability to understand and appreciate his work. For example in False Security, lines 2 and 3 read: There is no punctuation at the end of the first line, this is called enjambment, and the enjambment shows the movement of the door banging behind the young boy.
This shows that the weather is not conventional for this particular season; this is known as pathetic fallacy and relates the weather to overall dull, nostalgic atmosphere of the poem.
Here he uses to sibilance to portray that he is scared. Betjeman is, indeed, a master of rhythm.
Also in Original Sin on the Sussex Coast, there is a constant meter of 10, and this reflects the fact that sin always constant and is always happening, even in the most beautiful of places such as the Sussex Coast. A constant meter of 8,6 was used throughout the poem On a Portrait of a Deaf Man that shows how constant death is, and how death will never stop.
Rhyming, is one of many skills that Betjeman possesses, he is a genius with rhyming schemes. For example in False Security, there are rhyming couplets which strengthen the message of the poem, and as the young boy gets more excited about the party and the being with the hostess whom he has feelings for, the rhyme becomes stronger and three lines rhyme as opposed to two, and this helps the reader feel the excitement of the boy.
Rhyme is used throughout the poem, this makes the poem seem very jaunty and slightly jolly, which lures the reader into a false sense of security, as the poem is very serious and has a serious underlying message within it.
The rhyme is juxtaposed to the content of the poem. This poem has a constant rhyme scheme of ABCB, and this is juxtaposed to content, as the rhyming is almost jolly, and like false security, lures the reader into a false sense of security.
In Original Sin on the Sussex Coast, there is no rhyme scheme used, as the underlying message of the poem is very serious, and adding rhyme to the poem may have spoilt the seriousness, and made it jolly.
Betjeman uses a variety of punctuation techniques, for example: Then he asks himself a question caesurawhich shows that he is unsure or nervous about what to do as bullies are chasing him.
Betjeman may seem to have surface simplicity, but he masters the literary devices with perfection. For example, Slough may seem cheery on the surface, however there is a serious issue of the urbanisation of Slough hidden beneath it.
Bullying is another underlying issue in Original Sin on the Sussex Coast. In conclusion, I have proven that Betjeman is not only a master of rhythm and rhyme, but also a master of many more things such as literary devices, phonetics, structure and portraying hidden messages.
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"Slough" is a ten-stanza poem by Sir John Betjeman, first published in his collection Continual Dew. The British town of Slough was used as a dump for war surplus materials in the interwar years,  and then abruptly became the home of new factories just before World War II. First published: Slough john betjeman essay help para violeta analysis essay research paper on the northern spotted owl islam and the media essay linguistic landscape essay john biggam dissertation pdf writer.
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Because it's George Orwell day today - here's a poem about modern British culture (written in by John Betjeman) - the innate inertia of industrialisation and its effect on suburban life. Needless to say, it caused uproar when it was published Slough - John Betjeman Come friendly bombs and fall on Slough!